In the course of my writing journey and career, I have made many mistakes. But those mistakes served as a lesson and I have used them as a stepping stone! Before I start bringing out the tips; let me tell you more about some of the mistakes I made. I am sure you will learn from it. First of all I am kind of ashamed it but I have to make the confessions (LOLS).

At the beginning of my writing career; I used to have the worry that “oh…there are lots of books in the marketplace; who is going to buy my book? How can I get attention, wider readership and blah blah blah… but I was able to overcome this limiting belief. I finally came to realize that the Universe has more than enough space for everyone to express their talents and potentials. That there are millions books in the marketplace will not serve as a barrier for me and my books in any shape or form. One thing I learnt along the way is that everyone has their own audience and followers.

Let me illustrate the analogy that helped me burst through that limiting belief: if you walk into a market you will see that not only one person sells clothes, food items, meat, fish, etc. in that same market you see many people selling the same wares and stuffs and it does not stop them from having customers and patronages. So the same thing applies to my writing. Just because there are millions of books out there do not mean that I will not have readers, buyers and followers. I SURE will and I am having them already because I have empowered myself with the belief THAT I HAVE my own audience and it is just the fact.

I used to have this belief that once I have my book published by a publisher; it will start selling and my royalties will start rolling in (smiles). But the reality I have experienced is quite a different one! Although it has served as a LESSON for me! Yes, I am “Traditionally Published” but as it stands now, I am determined to take the route of self-publishing in my next books. I was rejected by 13 publishers before I finally found a publisher in America who agreed to publish my book.

Today, my story of how I became a published author is published in a South African platform (I will share the details later in this article; in the meantime keep reading)

I have a dream of establishing my own Self-Publishing platform subsequently. I want to be in charge of my books completely. I want to be the only one to receive whatever dime that comes from my book as a royalty; I want to take it up as my own personal business and investment—so that when I am using my resources to promote my books I will know all the benefits are coming back to ONLY ME. I am faithful that my dream of having my own Self-Publishing platform will inevitably become a reality.

After having a deeper understanding of how the publishing industry works and the way it is going; I conclude for myself that self-publishing is the best option for me. It no longer pleases me to “hand over” my manuscript to a publisher (unless on a “special situation” because there are always exceptions)

So, here are the advices I have for any upcoming writer or anyone who wants to consider going into writing:  

Writing is a craft, like playing a musical instrument or painting with oils. Every aspiring writer must acquire this craft, just as every musician must learn his or her instrument. Today some high schools and most colleges offer creative writing courses, and so do various writer’s critique groups. If you look around you will undoubtedly find one in your area.

Whether you take a formal course or not, most of the craft must be acquired on your own. The best place to begin is the public library, which is full of good books written by people who know how to write. Check out good books by good writers in the genre in which you are interested. Analyze their styles, see how they set up a scene, how they do dialogue, how the characters are introduced and developed, how the writer makes the names memorable or fails to do that, how the story is paced, how the action unfolds, how the conflicts develop, how the subplots are made part of the story, how the climax is handled. Analyze the scenes, find the key words which bring out the emotion of a scene, study how the writer got his effect, how he uses verbs and adverbs, try to decide why he used the key words he did. Why did the writer choose the point-of-view he used, did he shift verb tenses, why are the paragraphs where they are, why did he use action verbs in one place and “to be” verbs in another?

I recommend that every aspiring writer join a critique group. Smaller is usually better. Each person in the group must commit to write on their story every week and submit it for criticism, and they must agree to make the time to read everyone else’s submissions. Craft is learned here, and you can see how your stuff strikes readers. And by pointing out weak places in other people’s craft, you are forced to reexamine your own.

The weak point of critique groups is that egos occasionally get involved. If the discussion is collegial and everyone is trying to help every member get better at the genre they have chosen, all will go well. But if egos get out of control, the wise course is to find another critique group.

I also recommend that every aspiring writer attend one or more writer’s workshops which are held on an annual basis all over the country. Google Writer’s Workshops and see what pops up. In addition to discussions of craft which are scheduled throughout the workshops, attendees bring samples of their own work to show to the professional editors and literary agents who often attend. It is here, in a writer’s workshop, that you will have your first opportunity to pitch your work to an agent. The agent you meet at a workshop may well be the agent who ultimately takes you on as a client when you finally have a truly commercial manuscript ready to go.

Originality

Beginning writers are well advised to write about something they know. Many beginners try to write about people and places and events that they know absolutely nothing about and consequently expend vast quantities of time and effort but cannot get the story to read right.

The flip side of writing about what you know is the publishing reality that originality sells. To break into publishing and establish a major career, you must go boldly where no one has gone before, to steal a phrase. First novelist J. K. Rowling wrote of a boy wizard at an English school. Original and fresh, her novels to date have been mega-bestsellers world-wide and made her our first literary billionaire. The list goes on and on. So the formula is originality and craft, workmanship and sweat. Lots of sweat and Grace too.

Book Doctors

First time writers, or indeed, any writer struggling with a manuscript, might consider the services of a book doctor. In the past editors at major publishers might labor over a manuscript, writing, rewriting, and if necessary, inserting or eliminating subplots, all in the effort to get a manuscript up to publishing quality. Today editors at publishing houses do not do this—they simply don’t have the time. Nor can the publishing houses afford the cost. The manuscript must arrive in-house polished and ready for the line editor, who merely checks spelling, punctuation, capitalization and the like. The book doctor, paid for by the writer, fills this empty niche. You can find these services on the web, but check out their references before sending money.

Craft aside, to write successfully you must have something to write about; every word you write is a distillation of everything you know about life, about how the world works, about how people think and feel, their motivations, their hopes, their dreams, and so on. How do you write a woman in love? Well, if you are not a woman, it would help a lot if you had known one or two who were desperately, hopelessly in love. To write successfully you must understand what it is to be human. Only then can you reduce the human experience to language and put it on paper. Our best writers drank deeply of life. Students of writing must write about other people, learn to create characters that live within the boundaries of the fictional world created by the writer. This is the very essence of the craft, without which you cannot progress.

At some point every aspiring writer must evaluate his or her work and make a realistic appraisal of its worth. Are you just laying bricks? Here is where a critique group can be of real value. Do not try to write unless you are willing to fail. If you are unwilling to let your friends read your stuff because they might not understand it, it is unpublishable–the book buying public won’t understand it either. This leads inexorably to my next point: if you have to explain to a reader what they should have gotten out of a story, it didn’t work. Go back and work on it some more. The story must stand on its own. How well it stands is a direct measure of how well you have mastered the craft of writing.

The Courage to Fail

Speaking of the courage to fail, through the years I have noticed a curious phenomenon. People who are experts in literature, who know grammar, who can discuss the intricacies of plotting, characterization, setting, pacing, etc., until hell won’t have it, people who seem to have all the equipment necessary to succeed at writing fiction, rarely try it. I have no ambitions about masterpieces–I just want to write for the passion and fun books that entertain people and make a living doing it. I want to write the kind of books that I like to read. So I write and the experts read. In a way it’s sort of sad.

Once the manuscript is well written, all typos and misspellings removed, you are ready to try to get it published. The manuscript should be double-spaced on plain white paper, one side only, not bound in any way. Your name, address and phone number should be on the first and last pages of the manuscript. Do NOT submit the manuscript anywhere until you are convinced it is the best it can be.

Agents today perform the screening process that used to be done by publishing houses. Agents read unsolicited submissions and accept those they think are publishable. Today most publishing houses will not look at an unagented submission. Don’t even try. Get an agent (if you think it is your best option because you must always consider your circumstances and pocket too).

Literary agents make their money selling manuscripts to publishers, not reading them. However, do not expect a bona fide agent to return your manuscript with a long letter full of incisive literary criticism. If you want literary criticism it is only fair that you pay for it.

Breaking In

Publishers and agents all say that they are actively searching for the raw material required to keep the presses running and cartons of books on the way to bookstores. There is no conspiracy to lock out unpublished authors. Two hard realities govern the publishing world, and you must overcome them both to break in.

Book buyers like to buy brand names. They will buy a new book by an author they have read and enjoyed without even reading the blurb on the dust jacket. The consumer’s focus on established talent makes it incredibly difficult for a publisher to make a first novel a commercial success.

Most aspiring writers haven’t acquired the craft of writing, so 99% of the stuff agents and publishers see is unpublishable. Consequently, while book people are looking for publishable material, finding the jewels is like searching a hog pen for diamonds. (One editor told me that editors see so much trash, sometimes the glitter of the mediocre seems irresistible. The book-buying public, less jaded, is more fickle.)

The challenge to beginners is this: you must write a book so good, so compelling, the agents and publishers decide that the book can be sold despite the brand-name focus of the book-buying public. Remember, these people are trying to make money publishing books; they must sell books to survive. So the question is who will buy your books? Yet even if there was an audience out there, a publisher would not sign a writer unless he was firmly convinced that writer could deliver a commercial manuscript ready for the line editor with a minimum of editorial guidance, or he was holding such a manuscript in his hand.

NEVER forget–publishing is a FOR PROFIT business. Your manuscript must convince everyone all along the line that they can MAKE MONEY by publishing it. Notice that I said “your manuscript,” for truly, it must sell itself. Regardless of who you know or how persistent your agent is, the manuscript must be good enough that publishers can see how it can be sold.

More people are writing today than ever before in history. Word-processing programs and PCs have freed writers from the clerical drudgery that plagued the craft since the invention of the alphabet. In addition, the booming economy has given huge numbers of people the luxury of time, which many folks are spending at the keyboard of one of those PCs. The result is an unprecedented flood of manuscripts. The market for books, however, continues to grow slowly–while more books are sold today than ever before, the percentage of people reading continues to shrink as technology and lifestyles change. As you might imagine, all these writers searching for agents and publishers have created a bonanza for scam artists.

Be Wary

Anyone can claim to be a literary agent; there are no licensing or knowledge requirements and ethics are strictly optional. Many writers have been rejected so often by the bona fide publishing industry that they become easy prey for the unscrupulous. A few words of praise is the usual hook. Regardless of how the scam starts, eventually the subject of money will come up. The writer is requested to pay reading fees, acceptance fees, all kinds of fees, and promises flow like beer at a biker bar. Once your money is gone, it’s usually gone forever.

Once your novel is accepted by a publishing house, you will find that today you MUST get actively involved in publicizing the work. Publishers used to do all the publicity and promotion, but we live in a changing world beset by inexorable economic realities. YOUR ability and willingness to help sell the book will be a huge factor in its success. You see I emphasized the “must”–that is why I am deciding to go into self-publishing so that I can channel all my energy and resources to the success of my book with the BEST of my abilities!

My book (Cindy And Her Beautiful Bird) is available worldwide and it was nominated for the Readers Choice Awards in 2020. Here is a trailer for my book

My story of how I became a published author is published in a South African platform

You can purchase Cindy And Her Beautiful Bird at the following bookstores or wherever books sold worldwide

Amazon

Barnes & Noble

Kobo

Google PlayStore

Waterstones

I wish you the very best in as pick up your pen to start writing.

Good Luck!

Kingsley Osajie

Author of Cindy and Her Beautiful Bird

www.kingsley-osajie.com